Moog Slim Phatty - Sintetizator analogic

Moog Music is incredibly honored that The Slim Phatty received the TEC Award for Outstanding Technical Achievement - Musical Instrument - Technology/Hardware.

Based on the powerful Little Phatty sound engine, the Slim Phatty is the latest descendant of the iconic Minimoog Model D and features the classic Moog Ladder Filter, the touchstone of analog sound design.

In addition to shaping the sound of its on-board oscillators, the Slim Phatty's filter is a valuable production tool that can be used to process external audio, sweetening your favorite audio source with everything from smooth analog warmth through wet, resonant filter sweeps.

The Slim Phatty's convenient size makes it an ideal voice expander for your existing gear, with two oscillators of massive Moog sound that are always just a MIDI cable away. A new Tuning Scale feature and editor allows easy exploration of alternate scales and tunings. Microtonal, just intonation, quarter-tone, world music scales and more make the Slim Phatty an international traveler. Good thing it has a universal power supply!

In addition to the world of MIDI and USB gear, the Slim Phatty's Control Voltage inputs give it unlimited realms of expression and sound design possibilities. "Modular synth" style patching with Moogerfooger effects processors, the CP-251 Control Voltage Processor and other Moog synths (even The Moog Guitar!) creates soundscapes previously available only on large modular systems. Connecting to the Etherwave Plus Control Voltage Theremin or the MP-201 Multi-Pedal adds unique and intuitive new modes of expression.

Performance Features

Arpeggiator: synchronize to internal clock, LFO or external clock

MIDI Clock Sync: synchronize arpeggiator and LFO tempos to external synths, drum machines, software and more.

Tap Tempo: synchronize arpegiator and LFO to live music.

Pot Mapping: reprogram panel knobs to control any Slim Phatty parameter.

Sound Engine

Monophonic, 100% Analog signal path

Oscillators - 2 ultra-stable analog VCOs.

Oscillator parameters:

Osc. 1 Octave: 16', 8', 4', 2'

Osc. 1 Wave: Continuously variable from triangle through saw and square to narrow pulse.

Osc. 1 Level

Glide Rate

Osc. 1 to 2 Sync On/Off

Osc. 2 Frequency

Osc. 2 Octave: 16', 8', 4', 2'

Osc. 2 Wave: Continuously variable from triangle through saw and square to narrow pulse.

Osc. 2 Level

Fine Tune (Global)

Octave Up/Down (Global)

Filter - Voltage Controlled Low Pass Filter: 24 dB /Oct Moog Ladder filter with overload.

Filter parameters:

Cutoff

Resonance

Kb. Control Amount

Filter Env. Amount

Overload

Envelope Generators - 2 ADSR EGRs assigned to filter cutoff frequency and volume.

EGR parameters:

Attack

Decay

Sustain

Release

Modulation Parameters

LFO Rate

Mod Source: LFO triangle, LFO square, LFO sawtooth, LFO ramp, Filt. EGR or Sample and Hold, and Osc. 2 or Noise

Mod Amount: amount of modulation w/ the mod wheel all the way forward

Mod Destination: Pitch, Osc. 2, Filter, Wave

I/O

AC In

Power On/Off

Audio Out

Ext. Audio In: accepts +4dBu line level signal

Pitch CV In (1 V/Oct)

Filter CV In

Volume CV In

Keyboard Gate In

MIDI In

MIDI Out

MIDI Thru

USB: MIDI-over-USB

Headphone Out

Options

Rack Mount Adaptor

Wooden Side Panels

Power

100-250VAC, 50-60 Hz

Dimensions

17"W x 4 9/16"H x 5 5/16"D

Weight

5.75 Lbs